STOP! LOOK! AND LAUGH!
| Average Rating: |
         [2.08/10] 11 votes |
| Log-in or register to rate this episode. |
 | A compilation of clips from various Stooges shorts with Moe, Larry and Curly, intermixed with new footage featuring Paul Winchell and his dummies, Jerry Mahoney and Knucklehead Smiff. The clips present classic moments from OILY TO BED, OILY TO RISE (1939), HOW HIGH IS UP? (1940), VIOLENT IS THE WORD FOR CURLY (1938), SOCK-A-BYE BABY (1942), HIGHER THAN A KITE (1943), WHAT'S THE MATADOR? (1942), GOOFS AND SADDLES (1937), CALLING ALL CURS (1939), MICRO-PHONIES (1945), A PLUMBING WE WILL GO (1940) and HALF WITS HOLIDAY (1947). |
|
| Featuring |
| Moe, Larry and Curly |
| Release Date |
| July 01, 1960 |
| Studio |
| Columbia |
| Production Type |
| Feature Film |
| Duration |
| 78 min. |
| Buy at Amazon.com |
|
|
|
| Cast Members |
|
Production Crew |
|
|
 |
(Director) Don Appell
(Director) Lou Brandt
(Director) Jules White
(Producer) Sid Kuller
(Producer) Harry A. Romm
(Screenplay) Sid Kuller
(Director of Photography) William O. Steiner
(Film Editor) Jerome Thoms
(Art Director) Robert Bryer
(Assistant Director) Milton Feldman
(Original Music and Lyrics) Stanley Styne
(Original Music and Lyrics) George Duning
(Original Music) Mischa K. Bakaleinikoff
(Music) C. E. Wheeler
(Music) John Leipold
(Music) Heinz Roemheld
(Music) Sid Kuller
(Assistant Producer) Martha Vera Romm
(Assistant Producer) Marty Roth
(Director, stock footage) Jules White
(Director, stock footage) Edward Bernds
(Director, stock footage) Charley Chase
(Director, stock footage) Del Lord
(Producer, stock footage) Hugh McCollum
(Producer, stock footage) Charley Chase
(Producer, stock footage) Del Lord
(Producer, stock footage) Jules White
(Writer, stock footage) Monte Collins
(Writer, stock footage) Clyde Bruckman
(Writer, stock footage) Edward Bernds
(Writer, stock footage) Felix Adler
(Writer, stock footage) Searle Kramer
(Writer, stock footage) Al Giebler
(Writer, stock footage) Zion Myers
(Writer, stock footage) Elwood Ullman
(Writer, stock footage) Saul Ward
(Writer, stock footage) Jack White
(Writer, stock footage) Thea Goodan
(Dir. of Photography, stock footage) Benjamin Kline
(Dir. of Photography, stock footage) Glen Gano
(Dir. of Photography, stock footage) L. W. O'Connell
(Dir. of Photography, stock footage) Allen G. Siegler
(Dir. of Photography, stock footage) George F. Kelly
(Film Editor, stock footage) Arthur Seid
(Film Editor, stock footage) Henry Batista
(Film Editor, stock footage) Paul Borofsky
(Film Editor, stock footage) Edwin Bryant
(Film Editor, stock footage) Charles Nelson
(Music, stock footage) Mario Castolnuovo-Tedesco
(Music, stock footage) Walter Samuels
(Music, stock footage) Heinz Roemheld
|
Collapse All | Expand All
(Click on the
icon to expand individual sections.)
There are't any production notes logged for this episode.
Stooge Mayhem is not available for this episode.
No quotes have been logged for this episode.
- Black and Brown Windows
Winch goes to the windows that have the panes painted black and opens it. The scene cuts to an outside shot, and suddenly the window panes are a gray/beige/tan/brown color, NOT black. The scene cuts back indoors and the window panes are once again black.
- Black Windows Again
Winch is helping Knucklehead with his homework and paces over to a nearby window. First, the window panes are also painted black, and second, the window looks into another room of the house, NOT to the outside!
- Fairy Red Lips
During the Cinderella sequence, the Fairy Godmother loses her painted red lips when she walks outside to change a pumpkin into a carriage.
- Instant Clothing Change
During the first Stooge sequence, Curly abruptly changes clothes after the cop wakes them up from the street and they run to the Apex construction site.
- Kitchen Electrical
Winch goes into the kitchen to make some coffee, and appears to plug the coffeemaker into the kitchen table, NOT a wall outlet.
- Moving Elbows
The opening scene has Jerry and "Winch" in bed as the alarm goes off. Winch sits up and turns to Jerry to wake him. He leans on his right elbow, placing it directly under himself while leaning over Jerry. The scene then cuts to a close-up, and Winch's elbow has moved to a position halfway between Jerry and himself. (in order to work the puppet's controls, no doubt)
- Obvious Prop
Jerry is at the lunch table and there is a cabinet with a breadbox on top of it directly behind Jerry and between the kitchen counter. The cabinet is too close to the counter to allow passage behind. It's just too cheesy a prop to hide the two puppeteers behind while they manipulate Jerry.
- Pillow Expose'
Winch picks up Jerry out of bed and walks him to the bathroom. The pillow Jerry was lying on retains the indentation of the arm that was manipulating his controls. This happens again later in the sequence when Winch walks Jerry to the closet.
- Puppeteer Flub
Jerry is trying to get out of going to school by pretending to be sick. He looks at the thermometer and says, "Uh-oh, normal", but his mouth doesn't move until the word "normal".
- What's the Matador with Darts?
During the bullfight sequence, when Curly is thrown from the bull, he suddenly has two darts in his hand.
|
No Stooge routines have been logged for this episode.
No trivia have been logged for this episode.
No audio files are available for this episode.
There isn't a video file available for this episode.
There isn't a transcript available for this episode.
Re: STOP! LOOK! AND LAUGH!
Posted 2006-01-08 11:40:39 by Giff me dat fill-em!
For a die-hard fan of the boys, this film just makes one yearn to see the entire shorts instead of these truncated versions. But for the novice Stooge fan, its worthy of a view or two.
Re: STOP! LOOK! AND LAUGH!
Posted 2002-07-22 21:01:00 by [Deleted Member]
If we were going to boycott every film that exploited the Three Stooges, we would have to stop watching every short subject they made because the Stooges were exploited thoughout most of their careers by various producers and managers. Yes, the Stooges did go to court over Stop, Look, and Laugh, but the matter was settled, they were compensated, and the boys gave their okay for the film to be released. The Stooges should have been consulted and paid from the start, but I can certainly understand why the producers would rather use old shorts with the real Curly than current appearances of Curly-Joe. His comedy could be pretty bland compared to the original. And I would rather watch Stop, Look, and Laugh any day over those pathetic New Three Stooge cartoons that were being made at that time. Anyone who thinks the Besser films were the worst Stooges should take a good look at those sad cartoons. Stop, Look, and Laugh is a clever film. The trick to enjoying it is to STOP over-analyzing it, LOOK at the movie, and let yourself LAUGH out loud.
Reviewer's Rating:










(0)
Re: STOP! LOOK! AND LAUGH!
Posted 2001-11-20 01:06:00 by [Deleted Member]
I can't even MAKE myself watch this film. I'd say that the highlights were the Stooge clips, but the people responsible for this mess drag these down too, by adding unnecessary music and making cuts in the clips. Anytime anything is messed with so you can't see it as it was originally released irritates me to no end. Ventriliquist dummies and the Stooges just don't mix. Music and Stooge scenes, unless they were originally released together, just dont mix and the way they rush through the Stooge scenes just sucks!What I would've done instead of having Winchell and the ventrilloquist dummies is have some great comedian of the time host it, tipping his or her hat to fellow greats in the biz. Howsabout Lucille Ball? She co-starred with the boys in "Three Little Pigskins" and look at the good job she did with "Three's Company"! ISLIPP, you catch me. ®2001
Re: STOP! LOOK! AND LAUGH!
Posted 2001-05-01 01:57:00 by sickdrjoe
Cheer up, Dunrobin! Sure there's no logical reason for Winchell to host these clips, but that's just show-biz: if they made this today, it would be hosted by celebrities who make even LESS sense in this context, like Vince Vaughan or Margaret Cho or what-have-you. Throw in the fact that ventriloquists, like circus clowns, always carry a sinister subtext to their work, and this actually becomes weirdly good (hey, call me a wussy; I don't care - I say Knucklehead Smiff is SCARY!)
Collapse All | Expand All
(Click on the
icon to expand individual sections.)